The screen industries in Africa are on the cusp of a revolution, with new funds and finance models emerging to support the growth of local content production. However, the path forward is not without its challenges. Despite the optimism that permeates the industry, many producers remain frustrated with the existing global finance model, which can be slow to adapt to the unique needs of the African market.

One of the biggest hurdles facing African filmmakers is distribution. With a fragmented market and limited infrastructure, getting content to audiences can be a daunting task. "The monetization of the distribution pipeline is really what is supposed to feed the money toward your project," said Katie Irwin, an agent and co-head of international at WME Independent. "And those are a bit atrophied [in Africa]. You've got a commissioning structure with the streamers which has really helped a lot of filmmakers and production companies and producers get things across the finish line, but that can't be the only road."

So, what's the solution? One approach is to create a more localized finance model that better suits the needs of African producers. "We want to insert ourselves as intermediaries between the large funding bodies and the projects which are [operating with smaller budgets]," said Frédéric Fiore, head of the Logical Pictures Group. "It's not the same scale. That's what I see as a challenge and as an opportunity."

Another key player in the African film finance landscape is the African Export-Import Bank, or Afreximbank, which last year announced a $1 billion African film fund. While some producers have expressed frustration with the bank's cumbersome process and high barrier to entry, many see the fund as a game-changer for the continent. "The world is coming here," said veteran U.S. talent agent Dana Sims. "By the year 2030, 60% of the population on the continent will be 25 and under. By the year 2040, Africa will have the largest GDP on the planet…. This needs to happen here."

But what about the elephant in the room – the dominance of global streaming platforms? Can African producers really compete with the likes of Netflix and Amazon Prime? "We don't need to be bigger than them, we just need to be good enough," said Kathleen Burke, a New York-based producer and filmmaker. "And to do that, we need to have a more nimble and adaptive approach to financing and distribution."

Unlocking Africa's Screen Industries: The Rise of New Funds and Finance Models

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