Ted Sarandos, the co-CEO of Netflix, is not shy about his ambitions. He openly stated that he would rather take over Saturday Night Live than Disney. This might seem surprising, but it gives a clear picture of his priorities and vision. Sarandos has been with Netflix for a quarter of a century. He knows the ins and outs of the streaming giant. He has a clear focus on what matters most to him: engagement, revenue, and profit. This is not just about numbers, though. It is about understanding what viewers want and delivering it to them.

Sarandos believes that the future of entertainment is in streaming. He argues that the decline in box office sales is a sign that people prefer watching movies at home. This shift is not just about convenience. It is about control. Viewers want to watch what they want, when they want. Netflix, with its vast library of content, fits this need perfectly. Sarandos is not worried about the competition from traditional media. He is confident in Netflix's consumer-focused approach. He does not let external factors distract him from his goal: delivering content that viewers love.

The question of who will replace Bob Iger, Disney's CEO, came up. Sarandos had no clear answer. He admitted that he does not fully understand Disney's business culture. This is a significant point. Understanding a company's culture is crucial for success. It is not just about knowing the business. It is about knowing the people and the environment. Sarandos's honesty here is refreshing. It shows that he is aware of his limitations and respects the complexity of leadership roles.

Saturday Night Live, on the other hand, is a different story. Sarandos's interest in SNL is not just about the show itself. It is about the creativity and innovation that the show represents. Lorne Michaels, the current producer, has been a mentor to many. His influence is undeniable. Tina Fey, a former cast member, has been rumored to be next in line. Fey has spoken highly of Michaels, calling him irreplaceable. This highlights the importance of mentorship and legacy in the entertainment industry.

The entertainment industry is changing rapidly. Streaming platforms are becoming more popular. Traditional media is struggling to keep up. Sarandos's views reflect this shift. He is not just thinking about the present. He is thinking about the future. He is thinking about what viewers want and how to give it to them. This is a critical perspective. It challenges the status quo and pushes for innovation. It is a reminder that the entertainment industry is not just about making money. It is about making connections. It is about understanding and meeting the needs of the audience.

The Future of TV: A Netflix Boss's Big Dreams

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