entertainmentliberal

From Class Clown to Critics' Corner: How One Man Changed Movie Reviews

New York, USASunday, June 14, 2026
# The Legendary Wit Who Redefined Film Criticism

## A Voice That Felt Like Home

For forty years, one critic carved out a space no one else could fill. With wild hair that defied gravity and a mustache that commanded attention, he turned movie reviews into something personal—like sitting down with a friend who just *got* cinema but still kept the conversation lively. His critiques weren’t stuffy dissertations; they were sharp, playful, and packed with wordplay, sometimes feeling like mini-comedy routines.

## From Print to the Morning Screen

Before he became a TV fixture, he sharpened his wit in the pages of popular magazines, where his fearless opinions caught the eye of producers. By the early 1970s, he landed on a daily morning show, emerging as one of the final great film critics in traditional television. His philosophy was simple: honesty without spoilers, a balance even today’s critics rarely strike. Some colleagues griped about his interview lengths, but his reviews never lost their spark.

One-Liners Etched in Memory

His phrases became cultural shorthand. Stand by Me was “gripping,” not overhyped. The Color Purple was “essential viewing.” Brokeback Mountain? “Way too praised.” One remark, though, backfired spectacularly. His description of a character in the latter as a “sexual predator” ignited controversy, forcing a rare public apology. Even his missteps became part of his myth.

Life Off-Camera: Chaos and Charm

His story extended beyond reviews. A clarinet prodigy turned reluctant bassoon student (thanks to a punitive teacher), a humor anthology editor, and a survivor of a 1990s car crash that left him permanently injured—yet he kept reviewing, often from home. Life handed him quirks, and he handed back wit in equal measure.

Mocked, Celebrated, and Unforgettable

Comedians skewered his mannerisms. Kids’ shows begged for cameos. His daughter carries his legacy forward. For decades, he proved that criticism didn’t need to be sterile—just unforgettable.


Actions